Pamela Neil - communicating complex ideas orally

Un-consented normalising medicalisation of intersex children. The topic was challenging to work with. The complex role of the medical clinician, the parents and the judiciary in decision making for underage children is inherently weighted towards clinical authority and a traditional medical model. The work is my response to the idea which emerged, from the material I was given, immediately as problematic - the voice of the child and underage consent. I could not hear the child’s voice in the decisions being made about them. #underageconsent #intersex #un-consentednormalisingmedicalisationofintersexchildren www.pamelaneil.co.uk

Being confronted by a blank canvas can be a daunting experience. What, of what you know about your chosen topic, would be of interest to others? And importantly, how do you frame those ideas for communicating orally? What you say (about what you know), why and how you say it. I have a particular interest in complex ideas and the expression of those ideas orally. ‘creating a podcast… my creative practice’ is an oral performance designed to challenge the podcast or digital media as a creative platform - audio theatre   #creatingapodcast #mycreativepractice #audiotheatre   www.pamelaneil.co.uk 

I created this piece of work because I was interested in the idea of ‘indefinite detention’. In particular the knowledge that unlike a prison term, there is no end date for detention. It’s indefinite. When you are confined to a detention centre, you have no idea when you will be released. Some people are held for several years. I struggled with the idea that the UK could intentionally detain someone indefinitely. In creating the performance, I worked closely with William – an ex-detainee, using his own experience seeking asylum in the UK after fleeing war torn Sierra Leone, and the similarity between both journeys - the one in Sierra Leone and the one in the UK. The script took the form of a moving letter to William’s support worker, his primary contact for the duration of his detention, and explored the different aspects of constraint William had experienced, first in Sierra Leone during the period of former Liberian President Charles Taylor’s involvement in the country and subsequently in the UK as a victim of indefinite detention and, importantly, the impact this constraint had on William. For me that aspect of his story which resonated loudly was that both experiences similarly left William severely, and in the case of the UK, a first world developed nation, arguably unnecessarily, traumatised. This performance was created for a small British charity. Their core message to me was, that ‘indefinite detention is immoral’. My struggle was in understanding precisely what this message meant. Some of the ideas expressed in the work are intentionally shaped to leave the listener with no surety as to William’s outcome. #indefinitedetention www.pamelaneil.co.uk

As billionaires like Elon Musk ramp up their efforts to colonise Mars, questions about space exploration have become more important than ever. But is space ours to explore and conquer at any cost? Who gets to decide who colonises space? Is the Earth ours to destroy, or does it form an integral part of who we are? How do our journeys into space inform the way we see ourselves, and Earth, the very being which gave us life? ‘our manifest galaxy’ is an oral performance designed to bring the audience squarely into the conversation about space exploration and colonisation. #ourmanifestgalaxy #colonisingspace www.pamelaneil.co.uk