PORTRAIT OF A LADY ON FIRE | The Curzon Film Podcast feat. Céline Sciamma

We’re in love. It started with a Water Lilies in 2007. Our love grew stronger with Tomboy in 2011. We were devoted by the time Girlhood came around in 2014. And now, well, we scarcely know what to do with ourselves.This month we’ve dedicated an entire episode of our podcast to Céline Sciamma’s Portrait of a Lady on Fire, the film that has set the roof alight with all those fire emojis. Twitter is burning! Sciamma’s fourth film as a director took Cannes by storm back in 2019, earning standing ovations and taking home the Queer Palme. Earlier this year it was nominated at the BAFTAs, having already stolen our hearts.Over the course of the show, you’ll get expert insights on Céline Sciamma’s career up to this point. We’ll hear from the director herself all about the inspiration for the film, the title and that stunning choral number. Modern day portrait artist, Nina Mae Fowler, tells us about the reality of portraiture. And we find out from academic Jennie Batchelor just what it was like for women artists in the 18th century.The podcast is hosted by Steph Watts. It is produced by Ryan Hewitt and Jake Cunningham, edited by Mark Towers, and scripted by Jake Cunningham and Steph Watts. With thanks to all of our contributors, and a special thanks to Kelly Powell, Louisa Maycock and Irene Musumeci.WITH THANKS TO OUR SPECIAL GUESTS:Céline SciammaCéline Sciamma is a French filmmaker, a director and writer. To date she has directed four films: Water Lilies, Tomboy, Girlhood and Portrait of a Lady on Fire, and she wrote the screenplay for award-winning animation, My Life as a Courgette.Tricia TuttleTricia Tuttle is Director of Festivals for the BFI. Tuttle’s appointment as Artistic Director BFI London Film Festival follows her role as interim Artistic Director in 2018 and five successful years as Deputy Head of Festivals at BFI, including BFI Flare and BFI London Film Festival. She is also a huge champion of Céline Sciamma.Nina Mae FowlerNina Mae Fowler is known for her sumptuously detailed, large-scale drawings and installations which interrogate themes of celebrity, beauty, power and sexuality. Also an established portrait artist her sitters have included the biographer Dame Hermione Lee, biologist Richard Dawkins and ballet dancer Carlos Acosta (for which she was shortlisted for the BP Portrait prize in 2008).Most recently, The National Portrait Gallery has unveiled a major new commission by the artist entitled ‘Luminary Drawings’. The series comprises nine portraits of leading British Film Directors which now form part of the museum's permanent collection, including Sam Mendes, Ken Loach, Amma Asante and Sally Potter. Fowler’s work has won widespread acclaim. It is featured in numerous collections of international significance and in 2015 a monograph of her work entitled ‘Nina Mae Fowler: Measuring Elvis’ was published by Cob Gallery, London. The book features a commentary from an array of cultural luminaries including the curator Sandy Nairne and the playwright Polly Stenham. Lucy DahlsenLucy Dahlsen is a curator based in London and former Associate Curator of 20th century and contemporary portraiture at the National Portrait Gallery. Recent exhibitions she has curated include solo presentations of the artists Elizabeth Peyton and Njideka Akunyili Crosby.Jennie BatchelorJennie Batchelor is Professor of Eighteenth-Century Studies at Kent University, publishing in the long eighteenth century with a focus primarily on women's writing, authorship and anonymity, periodicals and women’s magazines, representations of gender, work, sexuality and the body, book history, material culture studies and the eighteenth-century charity movement.She is the author of two monographs and co-editor of four essay collections. Her most recent book (with Nush Powell), Women’s Periodicals and Print Culture in Britain, 1690s-1820s (Edinburgh University Press, 2018), is the ...

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