BLOOD ON THE TRACKS Season 4: The Brian Wilson Story

John Lennon & Yoko Ono (The John Lennon Story, Chapter 1)

John Lennon’s second wife and creative muse, Yoko Ono, recalls their time as one of the most simultaneously beloved and feared couples of 1970s New York City. Yoko’s tales include drug busts, government surveillance, robbery, extortion, fear, and paranoia. All this and more in the season two premiere of BLOOD ON THE TRACKS: The John Lennon Story.For more info on BLOOD ON THE TRACKS and other great shows, visit the <a href="https://www.doubleelvis.com/">Double Elvis website</a> and follow Double Elvis on <a href="https://twitter.com/DoubleElvisfm">Twitter</a> and <a href="https://www.instagram.com/doubleelvis/">Instagram</a>. Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>See <a href="https://omnystudio.com/listener">omnystudio.com/listener</a> for privacy information.

In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.