Dynisma: The ultra realistic driving simulators training F1’s biggest stars

Dynisma: The ultra realistic driving simulators training F1’s biggest stars

By PTC

“There’s nothing really else out there that compares to this…. It’s the closest to real life you can get without actually going out on track in a car.“

Imagine being able to race round all the world’s top Formula One circuits and feel every bump and bit of understeer without actually having to travel anywhere. Or to be able to test drive a road car that  hasn’t been built yet on the motorway. Dynisma creates driving simulators that make this possible. Founded by ex-F1 engineer Ash Warne, Dynisma develops incredibly realistic driving simulators for both motorsport teams and the car industry.  What sets their simulators apart though is how quickly they respond, in milliseconds, so drivers feel like they’re driving a real car.

Our presenter (and motor racing fan) Paul Haimes joined Ash in Dynisma’s office in Somerset to learn more about how they build state of the art simulators - and to have a test drive in their flagship DMG-1 model simulator. Paul drives the DMG-1 around the famous Spa Francorchamps F1 circuit, guided around by junior Aston Martin driver Tom Canning, to feel the responsiveness and realism of the simulator.

Ash also takes us around their manufacturing site to see the simulators in construction, and tells us about how incredibly accurate simulators can help motorsport teams and manufacturers cut down on travel and plan for a greener future. We also hear from Jon Hirschtick at PTC, who tells us about how OnShape’s cloud-based system can help Dynisma engineers to be more collaborative and get to the cutting edge of simulation.

Find out more about Dynisma here.

Find out more about OnShape here.

Your host is Paul Haimes from industrial software company PTC.

Episodes are released bi-weekly. Follow us on LinkedIn and Twitter for updates.

Third Angle is an 18Sixty production for PTC. Executive producer is Jacqui Cook. Sound design and editing by Ollie Guillou and Clarissa Maycock. Location recording by Hannah Dean. And music by Rowan Bishop.

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