Maleke Glee – A Posture of Improvisation

How do we engage with and sustain Black cultures, communities, histories and futures outside of the extractive infrastructures and institutions that thrive on Black death and disposability? Maleke Glee is a curator and scholar of cultural sustainability who offers go-go music as a wonderful working example: a genre and sonic landscape native to Washington DC, with an insular economy that supports self-taught and formerly incarcerated musicians. Our conversation today also explores the spiritual work that undergirds Maleke’s ongoing research into and preservation of go-go music, how initiatives for Black inclusion within art world institutions often stifle ongoing efforts to sustain Black vernacular cultures, and how a closer relationship to ugliness helps us queer what it means to embody and pursue Black excellence. If you’d like to dive deeper into the cultural, vernacular and academic references named throughout this conversation, please subscribe to Field Notes, a newsletter that collects the wonderlust that inspires and informs conversations on Busy Being Black. Busy Being Black is proudly supported by myGwork – the largest global talent and networking platform for LGBTQ+ professionals. If you're not yet a member, now's the time to join. Learn more about your ad choices. Visit megaphone.fm/adchoices